Burgess Meredith

Burgess Meredith

Meredith in Second Chorus
Born Oliver Burgess Meredith
November 16, 1907(1907-11-16)[1][2]
Cleveland, Ohio, U.S.
Died September 9, 1997(1997-09-09) (aged 89)
, U.S.
Occupation Actor, singer, producer, director, screenwriter
Years active 1936–1996
Spouse Helen Derby (1933–1935)
Margaret Perry (1936–1938)
Paulette Goddard (1944–1950)
Kaja Sundsten (1950–1997)

Oliver Burgess Meredith (November 16, 1907[1][2] – September 9, 1997), known professionally as Burgess Meredith, was an American actor. He was best-known for portraying Rocky Balboa's trainer Mickey Goldmill in the Rocky films and the Penguin in the television series Batman. He also earned a new generation of fans, portraying the father of Jack Lemmon's character in the 1993 film Grumpy Old Men, and the sequel, 1995's Grumpier Old Men, which was his final film role.

Contents

Early life

Meredith was born in Cleveland, Ohio, the son of Ida Beth (née Burgess) and Canadian-born William George Meredith, M.D.[1][2][3] He graduated from Hoosac School in 1926 and then attended Amherst College as a member of the Class of 1931.

Career

Burgess Meredith was involved in theatre, film, and television, both as an actor and a director. He was adept playing both dramatic and comedic roles, and with his rugged looks and gravelly voice, he could convincingly play either an everyman hero or a sinister villain.

Meredith served in the United States Army Air Forces in World War II, reaching the rank of captain. He was discharged in 1944 to work on the movie The Story of G.I. Joe, in which he starred as the popular war correspondent Ernie Pyle.

Theatre

In 1933, he became a member of Eva Le Gallienne's theatre company in New York City. Although best known to the larger world audience for his film and television work, Meredith was an influential actor and director for the stage. He made his Broadway debut as Peter in Le Gallienne's production of Romeo and Juliet (1930) and became a star in Maxwell Anderson's Winterset (1935), which became his film debut the following year. His early life and theatre work were the subject of a New Yorker profile.[4]

He received acclaim playing in the 1935 revival of "The Barretts of Wimpole Street" starring Katharine Cornell. She subsequently cast him in several of her later productions.

Other Broadway roles included Van van Dorn in High Tor (1937), Liliom in Liliom (1940), Christy Mahon in The Playboy of the Western World (1946), and Adolphus Cusins Major Barbara (1957). He created the role of Erie Smith in the English-language premiere of Eugene O'Neill's Hughie at the Theater Royal in Bath, England in 1963. He was an acclaimed Hamlet.

A distinguished theatre director, he won a Tony Award nomination for his 1974 Broadway staging of Ulysses in Nighttown, a theatrical adaptation of the "Nighttown" section of James Joyce's Ulysses. Meredith also shared a Special Tony Award with James Thurber for their collaboration on A Thurber Carnival (1960).

Television

He appeared in four different starring roles in the acclaimed anthology TV series The Twilight Zone. In the famous "Time Enough at Last", a 1959 episode of The Twilight Zone, Meredith plays a henpecked bank teller who only wants to be left alone with his books. In the 1961 episode "Mr. Dingle, the Strong", Meredith plays the title character, a timid weakling who, as the subject of a space alien's experiment on human nature, suddenly acquires superhuman strength. In "Printer's Devil," Meredith portrayed the Devil himself, and in "The Obsolete Man" he portrayed a deeply religious man, sentenced to death in a future, dystopic totalitarian society. He would later play two more roles in Rod Serling's other anthology series, Night Gallery. Meredith was the narrator for Twilight Zone: The Movie in 1983. He did not receive on-screen credit for his narration (this was so that he could do the job for scale rather than charge his usual minimum fee); as compensation for Meredith's uncredited work, his name was inserted into the dialogue in a scene between Dan Aykroyd and Albert Brooks.

He appeared in various television programs, including the role of Chris, III, in the 1962 episode "Hooray, Hooray, the Circus Is Coming to Town" of the NBC medical drama about psychiatry, The Eleventh Hour starring Wendell Corey and Jack Ging. He also guest starred in the ABC drama about psychiatry, Breaking Point in the 1963 episode entitled "Heart of Marble, Body of Stone".

Meredith appeared in various western series too, such as Rawhide (four times), The Virginian (twice), Wagon Train, Branded, The Wild Wild West, The Travels of Jaimie McPheeters, Laredo and Daniel Boone.

In 1963, he appeared as Vincent Marion in a five-part episode of the last season of the Warner Brothers ABC detective series 77 Sunset Strip. He starred three times in Burke's Law (1963–1964), starring Gene Barry, also on ABC.

Burgess Meredith as the Penguin

Meredith achieved iconic status for playing The Penguin in the television series Batman. His role as the Penguin was so well-received that the show's writers always had a script featuring the Penguin ready whenever Meredith was available. He appeared on the show more times during its run than any other villain except for Cesar Romero's Joker who tied with Meredith for number of appearances on the show.

From 1972 to 1973, Meredith played V.C.R. Cameron, director of Probe Control, in the television movie/pilot Probe and then in Search, the subsequent TV series (the name was changed to avoid conflict with a program on PBS). The series involved World Securities Corporation, a private agency which, among other activities, fielded a number of detectives equipped with high-tech equipment including a tiny TV transmitter (the "Scanner") which allowed Probe Control to see what was going on where the agents were working. One episode centered around Cameron being kidnapped and having to escape from a torture chamber, without any of the tools carried by Probe agents.

He won an Emmy Award as Outstanding Supporting Actor in a Comedy or Drama Special for the 1977 television film Tail Gunner Joe, a fictitious study of U.S. Senator Joseph R. McCarthy, the anti-communist leader of the 1950s.

In the early 1980s, he was also a co-host of the ABC program, "Those Amazing Animals," along with Fran Tarkenton.

Cinema

Early in his career, Meredith attracted favorable attention, especially for playing George in a 1939 adaptation of John Steinbeck's Of Mice and Men and as war correspondent Ernie Pyle in The Story of G.I. Joe (1945).

Meredith was featured in many 1940s films, including three (Second Chorus (1940), Diary of a Chambermaid (1946) and On Our Merry Way (1948)) co-starring then-wife Paulette Goddard. He also played alongside Lana Turner in Madame X.

As a result of the House Committee on Un-American Activities investigation into Communist influence in Hollywood, Meredith was placed on the Hollywood blacklist in the 1950s.

Meredith was a favorite of director Otto Preminger, who cast him in Advise and Consent (1962), In Harm's Way (1965), Hurry Sundown (1967), Skidoo (1968) and Such Good Friends (1971). He was the Penguin in the original Batman movie (1966). (Interestingly, Preminger and Meredith both portrayed villains on the Batman TV series.) Meredith played Rocky Balboa's trainer, Mickey Goldmill, in the first three Rocky films (1976), (1979) and (1982), to great acclaim. Even though his character died in the third Rocky film, he returned briefly in the fifth film, Rocky V (1990). He played an old Korean War veteran Captain J.G. Williams in The Last Chase with Lee Majors. He appeared in Ray Harryhausen's last stop-motion feature Clash of the Titans, in a supporting role.

Meredith appeared in Santa Claus: The Movie (1985). In his twilight years, he played Jack Lemmon's character's father in Grumpy Old Men (1993) and its sequel, Grumpier Old Men (1995).

He was nominated for Academy Awards in the Best Supporting Actor category for his roles in The Day of the Locust (1975) and Rocky (1976). Another notable role was as Goldie Hawn's landlord in Foul Play (1978).

Meredith directed the 1949 movie The Man on the Eiffel Tower starring Charles Laughton, which was produced by Irving Allen. Meredith also was billed in a supporting role in this film. In 1970 he directed (as well as co-writing and playing a supporting role in) The Yin and the Yang of Mr. Go, an espionage caper starring James Mason as a Hong Kong crime lord and Jeff Bridges as an ambitious amoral draft dodging novelist.

Additional roles

A somewhat more mixed (comedy/dramatic) role was his portrayal of the philosophical (yet hapless) tramp, Vladimir, in a notable production of Beckett's Waiting for Godot.

Meredith performed voiceover work. He provided the narration for A Walk in the Sun. As a nod to his longtime association with The Twilight Zone, he served as narrator for the 1983 film based on the series. He was the TV commercial voice for Honda, Stokley-Van Camp, United Airlines, and Freakies breakfast cereal. He supplied the narration for the 1974–1975 ABC Saturday morning series Korg: 70,000 B.C. and was the voice of Puff in the series of animated adaptations of the Peter, Paul, and Mary song Puff, the Magic Dragon. In the mid-1950s, he was one of four narrators of the NBC and syndicated public affairs program, The Big Story (1949–1958), which focuses on courageous journalists.

In 1991, he narrated a track on the The Chieftains' album of traditional Christmas music and carols, The Bells of Dublin.

His last role before his death was the portrayal of both Hamilton Wofford and Covington Wofford characters in the 1996 video game Ripper by Take-Two Interactive.

Autobiography and personal life

In 1994, Meredith published his autobiography, So Far, So Good. In the book he confessed that he suffered from violent mood swings which were caused by cyclothymia, a form of bipolar disorder.[2]

Death

Meredith died of complications due to Alzheimer's disease and melanoma on September 9, 1997. Long time friend Adam West spoke briefly at his memorial service. Meredith was cremated. For his contribution to the motion picture industry, Burgess has a star on the Hollywood Walk of Fame at 6904 Hollywood Boulevard.

Filmography

  • Winterset (1936)
  • There Goes the Groom (1937)
  • Spring Madness (1938)
  • Idiot's Delight (1939)
  • Of Mice and Men (1939)
  • Castle on the Hudson (1940)
  • It Was a Wonderful Life (1940)
  • Second Chorus (1940)
  • Tom, Dick and Harry (1941)
  • That Uncertain Feeling (1941)
  • Street of Chance (1942)
  • The Story of G.I. Joe (1945)
  • A Walk in the Sun (1945) (narration)
  • Magnificent Doll (1946)
  • The Diary of a Chambermaid (1946)
  • Mine Own Executioner (1947)
  • On Our Merry Way (1948)
  • Golden Arrow (1949)
  • The Man on the Eiffel Tower (1950)
  • Joe Butterfly (1957)
  • Man on the Run (1958)
  • Advise and Consent (1962)
  • The Kidnappers (1964)
  • In Harm's Way (1965)
  • Madame X (1966)
  • Batman (1966)
  • A Big Hand for the Little Lady (1966)
  • Torture Garden (1967)
  • Hurry Sundown (1967)
  • Skidoo (1968)
  • Stay Away, Joe (1968)
  • The Reivers (1969)
  • Mackenna's Gold (1969)
  • Debrief: Apollo 8 (1969) (narrator)
  • There Was a Crooked Man... (1970)
  • Such Good Friends (1971)
  • A Fan's Notes (1972)
  • The Day of the Locust (1975)
  • The Hindenburg (1975)
  • Burnt Offerings (1976)
  • Rocky (1976)
  • The Sentinel (1977)
  • Foul Play (1978)
  • Magic (1978)
  • The Manitou (1978)
  • Rocky II (1979)
  • When Time Ran Out (1980)
  • Clash of the Titans (1981)
  • The Last Chase (1981)
  • True Confessions (1981)
  • Rocky III (1982)
  • Twilight Zone: The Movie (1983)(uncredited)
  • Wet Gold (1984) Made for TV
  • Santa Claus: The Movie (1985)
  • G.I. Joe: The Movie (1987)
  • Rocky V (1990)
  • Grumpy Old Men (1993)
  • Camp Nowhere (1994)
  • Tall Tale (1995) - Old Man (uncredited)
  • Grumpier Old Men (1995)

Television work

References

  1. 1.0 1.1 1.2 Burgess Meredith, 89, Who Was at Ease Playing Good Guys and Villains, Dies, The New York Times, 11 September 1997.
  2. 2.0 2.1 2.2 2.3 Burgess Meredith obituary, CNN.com, 10 September 1997.
  3. Burgess Meredith genealogy by Robert Battle, hosted at freepages.rootsweb
  4. The New Yorker, April 3, 1937, pp. 26-37.

External links